Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her “HOW”. What can we learn from shoedesigner & maker Deborah Kiwi about online presence?

Online presence for shoedesigner

Can you briefly describe what you do?

I am a footwear designer and maker, focussing on artistic footwear. Taking it from concept to final product, using traditional techniques of shoemaking.

Which digital channels are relevant for you?

 

Most of my content is shared through Instagram. Which is a powerful tool for creatives of all kinds. I have got wonderful and surprising engagement from all over the globe on this platform. Recently, I activated my LinkedIn account and was able to reach out to a very different audience. But it is too early to know how well we match. Of course, YouTube and Tiktok could also be great tools, but shooting and editing video just takes too much time and focus away from shoemaking. Which makes it less irrelevant for me right now.

Digital channels for me as a shoedesigner:

  • Instagram
  • Website
  • Linkedin

How effective is your website? What goals does it achieve for you?

Most of my website’s visitors come through my social media. Even though it gets significantly less traffic, the majority of visitors are coming because they want to know more. They looked through my Instagram feed or LinkedIn page and want to understand the story behind a project or my background. So it plays a crucial part to further introducing myself to that specific and relevant group of people.

On which other websites are you visible, apart from your own?

I have not signed up for any websites. But in 2021 I did successfully apply to an important footwear award and would recommend any artist or designer to try and expose their work through relevant competitions. I have a presence on Creators Chambers website.

Do you communicate your WHY? If yes, how?

I promote my why through showing ‘How’. Nine out of ten pictures on my Instagram are process-oriented. Shoemaking is a dying craft, and people often don’t realize how intricate it is. Those who choose to follow my work enjoy seeing all the steps that go into footwear design and making.

Thank you for sharing your recommendations.

1. Find your niche; there are many wonderful creatives and artisans, it is hard to stand out and not feel discouraged at times. So find what you love to do and dive in deep. Get great at that specific thing and people will find you.
2. Not everyone needs to understand what you do; some people will not understand or respect an artist’s work until you achieved their idea of success. Focus on the positive.
3. Starting is the hardest part; both in terms of learning your craft and in terms of sharing your work on social media. Do it anyway.

Online presence for shoedesigner

Find out more about Deborah Kiwi, Tel Aviv:

— website
— @deb_kiwi

This article was created in collaboration between Deborah Kiwi and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

Articles on Online Presence

First-hand insights from creative professionals — on how they build visibility, express presence, and create meaningful connection online.

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her "HOW". What can we learn from shoedesigner & maker Deborah...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators. So it’s critical to give consistent attention to your online presence and...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators.

So it’s critical to give consistent attention to your online presence and behavior. What can we learn from Swiss visual artist Eveline Stauffer about online presence?

Online presence for visual artist

Can you briefly describe what you do?

I am a visual artist.

Which digital channels are relevant for you?

 

  • Instagram
  • Artist’s website
  • Artsy
  • Artsper
  • Creators Chambers

How effective are your websites? What goals do they achieve for you?

In the past, when Instagram did not exist, my website was more effective than today. Today it serves mainly as:  a source of information and the sale of Fine Art Prints.

At the moment, I get the most benefit, by far, from my presence on Instagram. That’s where the “most important” processes like building business relationships happen. The initial contacts with galleries, collectors, curators, clients and buyers. The presence and constant maintenance of my Instagram account I can call the most effective and important of all promotional presences on the Internet. My statement on that would be: that’s where I’m found first. If interested, customers then go on to the website to get more detailed information.

Do you sell your (art)work online? If so, through which channels (gallery’s site, own website, art-site…)?

Yes I sell my artwork over the internet.

On the one hand, through a gallery with which I am under contract.
On the other hand via the art platforms Artsy and Artsper.
In preparation is the sale of Fine Art Prints via my website and Creators Chambers’ curated selection of artworks.

What pitfalls did you experience when starting to sell online?

From the moment you sell art on the Internet, it is essential to think about shipping the artwork. Because from that moment on, the paintings are sold beyond the country’s borders. The whole process of shipping is complicated, time-consuming and always different depending on the country. Practice makes perfect! Experience, practice and always be well informed about all the shipping details of different countries.

The most successful way for you to get into your client’s sight?

Definitely Instagram. Then representation by a gallery, which also advertises through digital channels. Artsy and Artsper, and the film presence and visual story at Creators Chambers. I recommend staying present on digital channels, but never forgetting personal contact.

Thank you for sharing your recommendations.

1. I recommend being digitally present. However, I think an oversaturation of the brand (especially in art) is bad.
2. Beware of fraudulent institutions or those that pretend to be institutions that want to promote artists.
3. People are always looking for personal contact with the artist. This should never be lost in the big digital world.

Online presence for visual artist

Find out more about Eveline Stauffer, Switzerland:

— website
— Instagram

This article was created in collaboration between Eveline Stauffer and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

Articles on Online Presence

First-hand insights from creative professionals — on how they build visibility, express presence, and create meaningful connection online.

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her "HOW". What can we learn from shoedesigner & maker Deborah...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators. So it’s critical to give consistent attention to your online presence and...

Online presence for author: Ellen Bracquiné

Online presence for author: Ellen Bracquiné

Online presence for author: Ellen Bracquiné

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with readers, potential clients and new fans.

So it’s critical to give consistent attention to your online presence and behavior. What can we learn from Ellen Bracquiné about online presence? Ellen is a communications experts but also writes fiction books under the name Ella Moore.

Ellen Bracquiné - partner Helene Mulder

Online presence for author

Can you briefly describe what you do?

I tell stories. In many different ways.

For my copywriting clients, I tell the story about their business in a compelling way so their websites attract and engage their potential customers. I convert their story into compelling content for newsletters, blogs, ads, anything they need to tell the world about their business and what they do for their happy customers.

I help clients in my communications training tell their stories in a way that drives impact and convinces others.

And as an author, I tell stories about love between demons and angels and humans

Which digital channels are relevant for you?

 

As an author, I have a much more diverse set of channels. Amazon is my sales platform. My newsletter is my main way of communicating with my prospective readers. I build my newsletter through a presence on Bookfunnel, where I often run promos together with other authors. I offer exclusive content linked to my book on Patreon. And I have started consistently promoting my books on Tiktok (booktok specifically). My website should be a complement to all of these platforms.

Digital channels as an author:

  • Amazon
  • Bookfunnel (newsletter)
  • Patreon
  • Tiktok (Booktok)
  • Wattpad
  • Twitch
  • Facebook
  • Twitter
  • Discord
  • Instagram
  • Goodreads
  • Bookhub
  • Ellen’s website as a complement of all these platforms

As a communications expert who gets hired mostly through word of mouth, LinkedIn is my prime channel for visibility. My website comes a close second. I have decided against maintaining a newsletter and will only post a few articles on my blog to give prospects a better sense of who I am and what I value if they want more than the typical ‘about me’. I have a presence on Twitter, but mostly to be part of the network of copywriters there.

Digital channels as a copywriter:

  • Linkedin
  • Ellen’s website
  • Twitter (network of copywriters)

In addition, I have a presence on Wattpad (from my pre-publication period, but my following is too important not to maintain my presence), on Twitch with occasional live streams of writing, on Facebook with a readers page where people can rave about my books, a Twitter account mostly used to have conversations with the writer community, Discord servers where I connect with other authors and readers, and on Instagram, Goodreads and Bookbub. And yes, it gets utterly exhausting keeping up with all of it, but it has proven valuable in many ways to be integrated into the writer and reader communities.

online presence of an author

How effective are your websites? What goals do they achieve for you?

What I’d like them to achieve? For my author website, it needs to be the place people can find more about me as an author and an overview of my books. Ideally, it would lead them to sign up for my newsletter (through offering exclusive content they can get by subscribing). I know exactly what it should look like – now ‘only’ to implement it.

For my copywriting website, it needs to give prospects a sense of who I am as a professional and what I can offer them. It should lead them to reach out for the first conversation about their project. In reality, all my work comes from word-of-mouth, but the website is a good complement, even for clients who’ve already heard about me and just want to learn more.

Which websites have you signed up to for more exposure?

Early on, I signed up for a consultant platform (Skills at Click), but I don’t use it at all and it hasn’t brought any prospective clients so far.
For my author’s business, I mentioned the websites above – Bookfunnel, Tiktok and Wattpad are probably the ones used most for exposure.

Do you communicate your WHY? If yes, how?

My WHY is often a core part of what I share about myself in my first conversations with prospective copywriting/communications clients. It’s important for me that they hire me for the right reasons and know what my values are in the work I’ll do with them.

In my author’s business, my why is part of the conversations I have with my readers e.g., on Patreon and in the afterword of my books.
Do I truly promote my WHY beyond individual conversations? No. But it will be part of my websites once I rewrite them.

Do you sell your (art)work online? If so, through which channels (gallery’s site, own website, art-site…)?

My copywriting/communications business is fully custom-built for my clients so far (though there are several projects in the work to create stand-alone content).

I sell my books through Amazon exclusively for now. My ebooks will likely stay exclusive to Amazon because it allows me to be part of Kindle Unlimited, which is a big seller in the genre I write. I am exploring hardbacks, book merch, signed books, etc. through e.g. Etsy and Ingram Spark, but these are not a priority at the moment.

What pitfalls did you experience when starting to sell online?

Learning how to set up my books on Amazon was a steep learning curve. Mostly solved by just doing it for the first time, and supported massively by learning from experienced authors (including my editor and the people in the 20Booksto50K indie author FB group).

Pirated works are another problem. I don’t necessarily care a lot about my books being available for free – the people who read them there are not the people who’d pay for a book anyway. Unfortunately, Amazon does care and can kick my books out of Kindle Unlimited if they find out. I’ve learned how to send out DMCA takedown notices to the websites, their hosts, and to Google. Let’s see if I can contain the problem.

Finally, learning how to advertise is another steep learning curve. Facebook and Amazon ads are a huge driver of sales in the indie author business. As it only becomes profitable with a few books in the series, I haven’t started yet, but I have purchased the Ads for Authors course by Mark Dawson so I can base my experiments on years of learning by industry experts.

The most successful way for you to get into your client’s sight?

For my copywriting and communications business, word of mouth. Hands down. For my author’s business? I know Booktok and advertising works, but I’m still testing those. So far? Just writing great stories I personally love and can gush about in all the places I’m present in. And when my readers turn into the best promoters of my work, that becomes the best way to convince others. It’s a domino effect, and I’ve only started toppling a few little stones. But I can see it work, and it’s exciting to know what will be the success factor in the long run.

Thank you for sharing your recommendations.

1. Build a personal connection: in your work with individual clients, FB groups, newsletters, live, Discords, anything you can think of. Even when your work is a ‘mass article’ like my ebooks, that personal connection, those sneak peeks you offer and the personal side you show is what turns people from casual readers into actual fans.
2. Experiment. I thought Instagram would be big for me. It’s not. I didn’t think I’d ever set foot on Tiktok and I’m starting to love it and starting to see actual sales results. Gather your courage and try things, even if they scare you. They might surprise you.
3. Be you: I’m not a huge fan of the word ‘authentic’, but that’s what it is. Be yourself. For a long time, I tried to forcefit my social media presence into what I saw work for others. I hated every second. I’m slowly starting to show myself and having so much more fun. It means I actually become more consistent in my presence and that in turn is having good effects. Just be you. You’re perfect.

Online presence for author

Find out more about Ellen Bracquiné, Belgium:

— Ellen Bracquiné
— Ella Moore

This article was created in collaboration between Ellen Bracquiné and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

Articles on Online Presence

First-hand insights from creative professionals — on how they build visibility, express presence, and create meaningful connection online.

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her "HOW". What can we learn from shoedesigner & maker Deborah...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators. So it’s critical to give consistent attention to your online presence and...

Online presence for writer Adrian Hornsby

Online presence for writer Adrian Hornsby

Online presence for writer Adrian Hornsby

Online visibility is essential to attract the right clientele and increase your brand awareness. Your online visibility tells your audience a lot about your professionalism. So it’s critical to give consistent attention to your online visibility and behavior.

What can we learn from British writer Adrian Hornsby’s online visibility?

Online presence for writer

Can you briefly describe what you do?

I’m a writer and maker – a writer primarily, but writing is about more than words; it’s about conceiving a journey that you want to take another person through. I use language but also visual and performance media (e.g. illustration, video, theatre sets and installations). Bringing those into the world is part of the creation too.

Which digital channels are relevant for you?

 

Digital channels for me as a writer and maker:

  • Website
  • Facebook
  • Instagram

How effective is your website? What goals does it achieve for you?

My website and social media presence aren’t, for me, massive distribution channels. Most of my commissions come through organisations that bring their own platforms, and that’s mostly how the work goes out: e.g. publishers for books, or theatres and festivals for shows.

My website is more for people who want to look me up for whatever reason, which may be commissioners or funders or just people who are interested.

— The primary goal is to provide an online portfolio for professional purposes.
— The secondary is to promote work to a wider public.
— The other aspect of websites and social media that’s valuable is communicating with other artists and collaborators. This can be for sharing ideas, letting other people know what I’m interested in, or if I have a specific question or need, the online creative community is great for sourcing. I.e. it’s not just a megaphone, it’s a forum.

Do you communicate your WHY? If yes, how?

No, but I probably should. I promote the why of individual works, and firmly believe that if a work can’t tell you why it exists, in 99% of cases, it doesn’t deserve to. But the why of me overall – aik!

Do you sell your (art)work online? If so, through which channels (gallery’s site, own website, art-site…)?

Books are available online via publishers and amazon; tickets for shows via websites of wherever they’re showing. I don’t handle a lot of sales directly or sell fine art via galleries or my website.

The most successful way for you to get into your client’s sight?

The most successful way for you to get into your client’s sight? To be honest, it’s word of mouth. The best things come through recommendations. What does this show? Networks are very powerful – even in the digital age, and possibly more so.

Thank you for sharing your recommendations.

1. Know good people – and not necessarily powerful people, but interesting people. They tend to know other interesting people, and if you can move fluidly through these networks, interesting things will keep surfacing for you.
2. Don’t burn others – if you’re an asshole, word will get around. And if you start working with assholes, you’ll fall out and they’ll say the asshole was you. This is a natural law.
3. When building an online presence, think about what users need over what you want to express. In artwork it’s often the other way around, but something like a website has a utility. Don’t be a mystery and expect people to pore over you – they won’t.

Online presence for a writer

Find out more about Adrian Hornsby, London:

— website
— @adrianhornsby_

This article was created in collaboration between Adrian Hornsby and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

Articles on Online Presence

First-hand insights from creative professionals — on how they build visibility, express presence, and create meaningful connection online.

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her "HOW". What can we learn from shoedesigner & maker Deborah...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators. So it’s critical to give consistent attention to your online presence and...

Online presence for jewellery designer May Bredt

Online presence for jewellery designer May Bredt

Online presence for jewellery designer May Bredt

Jewellery designer May Bredt is steadily building her brand awareness with a consistent online presence. On Instagram, she visualises her core values, her handmade jewellery, and personal inspirations.

“You have to stay on the ball…!” But how? What we can learn from May Bredt about her online presence.

Online presence for jewellery designer

Can you briefly describe what you do?

I design and make jewellery whereby the overarching theme is transformation. I use mostly old materials such as scrap metals like brass or recycled precious metals like silver from old jewellery. My aim is to never use anything new when the old is available. Not only with sustainability in mind but also from a conceptual design standpoint and a deeper conviction to honour the ‘old’ and to give every piece a story. In both the design process and in the making, I try to stay ‘off-the-grid’ where I can, using mostly hand-driven tools and preferably working outside… I also make larger objects as well as drawings, paintings and photographs, mostly inspired by nature and organic forms.

Natural materials | Scrap brass wires | ‘Breaking the waves’ ring in recycled gold (from old coins) cast in cuttlefish bones | The materials used to make above ring (discarded brass lock, some ebony found in an old toolbox and some used brass plumbing pipe) | Cuttlefish bones that May collects on the beach and uses to cast jewels in recycled silver or gold with a ripple effect texture.

Which digital channels are relevant for you? 

Digital channels for me as a jewellery designer:

  • Instagram
  • Facebook

What do you do for your online visibility?

So far I have used only Instagram professionally, and sometimes I post something on my (personal) Facebook.

My work is mostly visual and IG is perfect for that. I do think I would benefit from having a website that people could go to once they have seen something on IG, to facilitate the sales and also to be able to go more into depth regarding the why & how etc.

Do you communicate your WHY? If yes, how?

Yes and no. In the bigger picture I don’t always communicate literally the ‘why’. Sometimes I prefer to do it indirectly through references, quotes or something in the caption under a post of an individual piece, photograph etc.

I suspect most people don’t actually read most captions and feel it’s more for myself and those few who really follow to elaborate here and there.

Actual clients almost always mention that they really like the idea that they will wear something made from something old and (almost) discarded, especially when they have provided for the material for the jewellery themselves.

Do you sell your (art)work online? If so, through which channels (gallery’s site, own website, art-site…)?

No. People can’t buy my things directly online – via IG clients get in touch with DM and then we sort it out.

What pitfalls did you experience when starting to sell online?

Learning how to set up my books on Amazon was a steep learning curve. Mostly solved by just doing it for the first time, and supported massively by learning from experienced authors (including my editor and the people in the 20Booksto50K indie author FB group).

Pirated works are another problem. I don’t necessarily care a lot about my books being available for free – the people who read them there are not the people who’d pay for a book anyway. Unfortunately, Amazon does care and can kick my books out of Kindle Unlimited if they find out. I’ve learned how to send out DMCA takedown notices to the websites, their hosts, and to Google. Let’s see if I can contain the problem.

Finally, learning how to advertise is another steep learning curve. Facebook and Amazon ads are a huge driver of sales in the indie author business. As it only becomes profitable with a few books in the series, I haven’t started yet, but I have purchased the Ads for Authors course by Mark Dawson so I can base my experiments on years of learning by industry experts.

The most successful way for you to get into your client’s sight?

Offline, by wearing what I make 😄 and then by word of mouth. I have made my best sales & orders straight off my hands/arms/ears.
Online, definitely via IG and understanding my own (aspired) ‘niche community’ there… (in my case e.g. ‘modernist & art jewellery’) as well as connecting there with supportive friends who then get their friends to follow etc.

online presence for a jewellery designer
Online presence for jewellery designer

Thank you for sharing your recommendations.

1. Follow-up: I have come to realise that follow-up with clients can be key in ‘creative business’. Once someone has decided to buy something from you it’s possible they will want to do so again one day, and again… ‘Art lovers’ tend to like being and staying involved, to collect and to support… My best clients are ‘repeat customers’…

2. The back story: From the outset, the story behind my work has been important to me and I have noticed that my clients often feel the same way. ‘The story’ provides for added value that does not directly translate into increased sales volume but it does into the margins, the price for a sale / commission (and into repeat customers!).

3. Good story visuals: With social media (IG for me), it’s quite important in my view to have good photographs and an attractive overview on your ‘page’, as well as personal stories / captions. Followers come and go, but the people that stay find something with you… they enjoy following your story and I’ve found that – aside from the online ‘support’ that affects your ‘position in the algorithm’ – this can translate into sales sometimes months or even years later. People become vested in your story and eventually when they see something they really like they’re so happy to actually buy something. This is relevant for visual artists who make mostly one-off stuff, not so much production. Long term relationships. Even on social media!

4. Communication: Part of communicating your story(visuals) is also communicating with people who respond to your story and vice versa responding to theirs. In my view, this only works if this is done in a sincere and authentic manner. It’s not only about potential clients but also about the ‘community’ of like-minded artists etc.

5. Understanding (your) social media: For example when using Instagram, it’s useful to do some research on your ‘target audience’, their commonly used hashtags etc. Are there comparable artists, which hashtags do they use, which galleries exhibit similar style jewellery/objects, is there a certain ‘niche community’ in your area of work? The more specific you can be with labelling your posts (with hashtags) the better. And then this also changes all the time, logarithms etc. So you have to ‘stay on the ball’! But then what do I know haha, I am also just learning while I go along and if you come back to me a year from now, things may be different. In the fast-paced and fast-changing ‘social media world’ I suspect I’m always at least a few steps behind… For my own sanity, I don’t see my IG account as a sales tool but ‘just’ as another thing I make…

Online presence for a jewellery designer

Find out more about May Bredt, The Hague:

@amoibe.design

This article was created in collaboration between May Bredt and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

Articles on Online Presence

First-hand insights from creative professionals — on how they build visibility, express presence, and create meaningful connection online.

Online presence for shoedesigner and -maker Deborah Kiwi

Online presence for shoedesigner and -maker Deborah Kiwi

Deborah Kiwi implements a consistent online marketing strategy which helps to grow her brand identity and build a growing, loyal and international audience. Online she highlights her creative process, her "HOW". What can we learn from shoedesigner & maker Deborah...

Online presence for visual artist Eveline Stauffer

Online presence for visual artist Eveline Stauffer

Online presence is essential to attract the right audience and increase your brand awareness. Your online visibility enhances communication with gallerys, potential clients and curators. So it’s critical to give consistent attention to your online presence and...

Online presence for painter Eleanor Herbosch

Online presence for painter Eleanor Herbosch

Online presence for painter Eleanor Herbosch

Belgian artist Eleanor Herbosch, painter and ceramic artist, implements a consistent online marketing strategy that helps to grow her brand identity and build a growing, loyal audience. What can we learn from Eleanor Herbosch about her online presence?

Online presence for painter

Can you briefly describe what you do?

After recently graduating with a Bachelor of the Arts at Central Saint Martins in London, I have continued to develop my artistic practice within the realm of paint and clay. Moving to Antwerp has allowed me to focus on finishing my studio setup and to start working on some very exciting projects, locally and abroad. I explore the intrinsic and earthly qualities of my chosen mediums: paint and clay. My work is a continuous study of materiality and a detailed investigation of texture. My paintings are characterised by expressing the power of natural materials, which is a guiding aesthetic in all my works. I try to demonstrate my understanding of movement through an alchemy of process, creativity, and technique.

Untitled Series by Eleanor Herbosch. Acrylic, chalk, Chinese ink, earth and oil on canvas | Photography @tibods

Which digital channels are relevant for you?

 

Digital channels for me as a painter and ceramic artist:

  • Instagram
  • My website
  • Email marketing

How effective is your website? What goals does it achieve for you?

My website is perhaps less effective than my platform on Instagram. The aim of my website is to summarise my artist statement, share images of my work as well as include my contact details, all of which can also be found on my Instagram.

A website however allows the creator to express themselves as they truly wish, allows your individual charm or quality to show. You have a lot more freedom to play around with your website’s layout and design than you can on Instagram, which can sometimes be a limiting platform for artistic expression. My website is still a work in progress. I am grateful to have a partner who is very skilled in HTML, Webflow!

On which other websites are you visible, apart from your own?

I am included in the websites of the galleries that I am or have worked together with. I will never pay for a service that gives me more exposure/advertising, that’s just not me.

Do you communicate your WHY? If yes, how?

We are often intrigued by understanding the reason why you do things the way that you do, so I find it important to verbalise my practices’ ethos as well as showing it visually within the artwork. That doesn’t necessarily mean that I am doing a good job of that! This is something that I continuously need to remind myself to improve on.

Do you sell your (art)work online? If so, through which channels (gallery’s site, own website, art-site…)?

I sell my artwork both through gallery representation and privately directly to my clients. This is a result of either word-of-mouth communication from one art enthusiast to another, or by coming across my artwork on one of my social media platforms. My website does not consist of a webshop and I don’t think I will ever use this tool.

What pitfalls did you experience when starting to sell online?

My artwork can be fairly large in size, therefore shipping internationally can be a challenge. Shipping paintings safely and having the works insured in case something goes wrong during transit, can be costly and can often make me feel like I am asking a lot from my clients. I think the only way to properly avoid this, is that if you love an artwork so much that you wish to be with it regardless of its origin, then you won’t feel as bad spending a little bit more to ensure the work gets with you safely.

The most successful way for you to get into your client’s sight?

Always be polite and honest to the people you meet whether they have a similar occupation or not. Try and be diligent at answering emails from clients. Be helpful and patient.

Thank you for sharing your recommendations.

1. Is there an exhibition you’ve been wanting to see, and the ending date is soon in sight? Go and see it. And bring your mother along with you.
2. Allow yourself to feel as natural as possible. Allow yourself privacy. You do not need to show your presence online every single day. People will appreciate your authenticity.
3. Enjoy spending time with likeminded friends and people that support your creative path. Many wonderful opportunities may rise from this simple thing.
4. And a fourth, even if your practice isn’t digitally formatted, always have everything backed up safely in the cloud. You will certainly thank yourself in the long run!

Online presence for a jewellery designer

Find out more about Eleanor Herbosch, Antwerp:

— website
— @eleanorherbosch

This article was created in collaboration between Eleanor Herbosch and Hélène Mulder.

If you’re a creative professional with reflections or practices you’d like to share — on visibility, presence, or how you shape your place online — I’d love to hear from you.

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